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Feminist Critique #4, 2021

Hegemony in Post-Soviet Georgia: Types of Nationalisms and Masculinities

Aia Beraia
https://doi.org/10.52323/fc4-5 [1]

Whose Feminism? Feminist Movements in Russia and “Western” Cultural Hegemony

Vanya Solovey

“Racism” versus “Intersectionality”? Significations of Interwoven Oppressions in Greek LGBTQ+ Discourses

Anna Carastathis
https://doi.org/10.52323/fc4-4 [2]

Queering Bratislava: On Borders, Otherness and Public Space

Myrto Tsilimpounidi
https://doi.org/10.52323/4187322 [3]

Same-sex Parenting Practices in Hungary as an Assertion of Intimate Citizenship

Rita Béres-Deák
https://doi.org/10.52323/429832 [4]

Stigmatization of the Analytical Concept of Gender as Ideology

Erzsébet Barát

Necropolitics, Homonationalism and Precarious Queer Lives in Times of Global Neoliberalism

Oksana Dudko

Living a Feminist Life

Oksana Husieva

Our Wild Ones: Aesthetics and Politics in the Music of Independent Ukraine

Ganna Gnedkova

This "Feminist Critique" special issue entitled "Queer and Feminist Studies in Eastern Europe" contains proceedings of the International Conference that took place at the University of Bucharest (Romania) on November 17–19, 2017. The papers touch upon various topics, including racism, nationalism, coloniality, necropolitics, "wildness," neoliberalism, post-socialist urbanism, and same-sex parenting and explore cases of Greece, Georgia, Ukraine, Slovakia, Hungary, and Russia.

Guest editors: Ramona Dima and Simona Dumitriu.

Issue DOI: https://doi.org/10.52323/fc4 [5]
The cover is designed by Valentyna Petrova. On the cover: a fragment of the "View of Quarry" artwork by Latvian-American artist Vija Celmins (1962).